COSì FAN TUTTE - Theatre Massimo Bellini, Catania
"Don Alfonso, skilfully performed by Gabriele Ribis"
Angela Allegria - ItaliaNotizie - 03/23/2010
"...to giant Gabriele Ribis, wich was a booming and very convincing Don Alfonso"
Michele Spina - Gazzetta del Sud - 03/25/2010
"...Don Alfonso was an outstanding Gabriele Ribis"
Aldo Mattina - Giornale di Sicilia - 03/16/2010
"by deep resonances of the bass Gabriele Ribis (wich at intervals looks like an Olympic Zeus with a powerful and reassuring voice as Don Alfonso)"
Sergio Sciacca - La Sicilia - 03/14/2010
CARMEN - Teatro alle Terme di Caracalla, Roma
"...except let catch a glimpse of true play, musical vivacity, brilliance of voices in the 2nd act, at Dancairo and Remendado arrival, Gabriele Ribis and Mario Bolognesi."
Luigi Orfeo, teatro.org 31/07/2009
OBRA MAESTRA - Theatre Caio Melisso, Spoleto
"...an opera well written but with few truly original parts (among them the hyperbolic treatment of the buffo voice, the superb Gabriele Ribis)"
Mauro Mariani, Il giornale della musica 11/9/2007
"As The Judge - a part of solid writing and vocal esuberanze - the baritone Gabriel Ribis gives a great vocal performance, showing a remarkable affinity with contemporary music thanks to a «fraseggio» that doesn't renounces to «sing». "
Luca Del Fra, L'Opera, October 2007
"Mancuso music is
informed, original in using colors and orchestra effects, funny in vocal parts and in the great Judge buffo aria (superb Gabriele Ribis)..."
Sandro Cappelletto, La Stampa, 11 Settembre 2007
"...an eccellent performance of all singers: sopranos Stefania Grasso and Tania Bussi,
mezzo Federica Carnevale e with particular sureness baritone Gabriele Ribis."
Luca Del Fra, L'Unità, 11 Settembre 2007
LO SPOSO DI TRE E MARITO DI NESSUNA - Festival Valle d'Itria, Martina Franca
"The singer-actors are also jugglers, mimes, acrobats, between references to the America of the jazz and improbable hilarious charleston: high level vocal cast,... in order not to talk about the considerable interpretation of Gabriele Ribis (Folletto)."
Giovanni Fornaro, www.drammaturgia.it 09/05/2005
CARMINA BURANA- Carl Orff Festival, Andechs (Germany)
"...among the soloists the more convincing was the deep Italian baritone Gabriele Ribis."
Der Neue Merker 03/07/2005
DON GIOVANNI - Theatre Filarmonico, Verona
"Ribis, persuasive Don Giovanni. The baritone traced a modern and personal sight of the role. The Mozart enterprise (...) was built around the attractive figure of Gabriele Ribis, wich traced a modern and personal sight of the protagonist. The young baritone (...) privileged the use of gesture, of the almost spoken and of the fiendish laugh to return a persuasive Don Giovanni, proud and champion of an ideal of life. A Don Giovanni now possessed from a parossissmo of delight and with something of fatal and fever."
Gianni Villani, L'Arena 01/19/2005
IL RICCO D'UN GIORNO- Theatre Salieri, Legnago
"Praiseworthy the young singers, on whose stand out the soprano Roberta Salvati, in the splendid pathetic arias that are worth the whole score, and the baritone Gabriele Ribis, ready for a lucky career."
Marco Beghelli, Il giornale della musica 11/01/2004
"Very good Gabriele Ribis, Mascherone, that gives to the rogue servant powerful and resonant voice, united to a “sneaky” characterization of the character that results absolutely pertinent."
Alessandro Cammarano, www.operaclick.it 10/31/2004
COSì FAN TUTTE - Teathre Quirino, Roma
"I would put to the first place the Guglielmo of Gabriele Ribis: attractive and extensive voice, excellent diction and elegant figure. He was always in rule with voice and frasing and the aria against the women of second act was marked to a considerable verve not untied from a certain nervous disappointment in saying what in the booklet. In complex, the best."
Luca di Girolamo, www.operaclick.it 09/23/2005
THE DEATH OF KLINGHOFFER - National Theatre, Prague
"The Italian baritone Gabriele Ribis, gut-wrenching in the monolog of Mamoud in which he relates the horrors that undergoes culminating in the gesture of to close the eyes of the brother beheaded."
Larry L. Lash, Operanews 05/22/2003
THE DEATH OF KLINGHOFFER - Teatro Comunale, Ferrara
"The singers have to appreciate in bulck for the intelligent availability to the indications of direction; among the voices Gabriele Ribis (Mamoud) has to be followed carefully."
Sandro Cappelletto, Classic Voice 01/12/2003
L'ELISIR D'AMORE - Nationa Theatre, Rijeka (Croatia)
"Gabriele Ribis in the role of Belcore showed a virile and resonant voice provided of a belcanto phrasing."
Davor Schopf, Vjesnik 12/02/1999
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